About Us
Audlytics Music Delivery
Ready for radio. Checked by Audlytics.
Audlytics Music Delivery was built for radio. Releases are screened using automated checks for audio format, bitrate, sample rate, silent gaps and embedded tags. Required release metadata is included for programming teams to review and process the submission. Missing MP3 tags for artist, track title, album, publisher and composer are filled from the supplied release details when saving or preparing the release for delivery; existing tags are preserved and the audio is not re-encoded.
Powered by Audlytics, a leader in music technology, Music Delivery gives every release a professional handoff to radio. Airplay decisions remain with each broadcaster.
How we screen the audio
Automated checks examine uploaded audio for format, bitrate, sample rate, duration, silent gaps and embedded tags. MP3s should be 256 kbps or higher, audio should use a 44.1 kHz sample rate, and WAV files should be 16-bit. Silent gaps longer than four seconds at the beginning, middle or end are flagged for review.
A radio edit submitted on its own receives a duration warning when it is longer than four minutes. Explicit originals should also include a clean radio edit. Automated checks cannot determine whether lyrics are clean or whether an intro or outro is artistically suitable for broadcast.
Release metadata for radio teams
Artists and their representatives supply the artist name, track title, release date, genres, versions, label name, ISRC, songwriter and publisher credits, explicit-lyrics disclosure, promotional contact details and a short press summary or press release. Music Delivery brings these details together in the submission email and release page for station teams to review.
The submission process checks that required fields and selected version files are present. Supplied information remains the sender’s responsibility; including an ISRC or publishing credit does not independently verify ownership or grant broadcast rights.
Embedded MP3 tags
When a release is saved or prepared for station selection, missing MP3 tags are filled from the release details: artist, track title, album, publisher and composer. For single-track releases, the track title supplies the album tag, and songwriter credits supply the composer tag. Existing tags are preserved rather than overwritten.
Tagging does not re-encode the audio or change its audio quality. The tagged MP3 is stored privately and screened again, so the saved checks reflect the file prepared for delivery. If release details are still missing, the corresponding tags cannot be completed until that information is supplied.
Only the primary selected MP3 is attached to the submission email. Additional uploaded versions are available through the private release download page rather than emailed as extra attachments.
Screening, not a compliance guarantee
Senders can proceed after explicitly accepting responsibility for quality warnings. Screening therefore does not mean every check has passed, and it does not certify lyrics, rights clearance or compliance with every broadcaster’s requirements. Stations retain responsibility for assessing suitability, and all airplay decisions remain with the broadcaster.
About Audlytics
Audlytics develops technology for the music industry. Its Music Delivery platform helps artists, labels and music teams prepare and deliver releases to radio by bringing audio quality assurance and submission metadata into a single workflow. The platform is designed to give broadcasters the audio and release information they need to review tracks for airplay.